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All Eyes

by The Public Sector

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1.
Hidden away, feeling all too seen Judged as a fraud, an outgrown teen Wrapped in the sheets but I really can’t hide From the things beyond the night and the receding tide Is all this just an opportunistic lie Would it work better more mystic and fried Eins Zwei Drei the dead men cry Now I know how but I doubt I’ll know why Resting on the laurels of the fit and wise Working in some mescaline in the hopes to hypnotise The land might predict the falling skies But even then we’d lie down spinning through one and all eyes More despair than the last time around What was a sigh now rather weighed down Eins Zwei Drei the dead men cry Now I know how and I think I know why What did they see? How long do they stare? How sharp were their claws and the teeth they bare? Taught to fear god not sow lies Front row of the choir and it was all eyes Are they coming? Do they know I’m here? Do they smell the scent of delusions and fear? Crashing through the door not the least bit surprised How can it stop when I was told the time flies Water dripping down my back and it’s all eyes
2.
Let me know when you come I’ll be soaked on the footpath Take your time when you come through I wonder who got the last laugh Take some money, take a day Water running down your back makes you feel alive Spread the message, tow the line Everything they say, is so contrived Let me know when you come to Tell the story like there’s things to prove Nothing ever seemed so untrue As the possessions that were your room Search for meaning on the ground Get it down flat, lost and found See the signs on the wall Better with a bat, fine with a ball Not that that matters much any more Rat-a-tat, tat, clatter with your hands on the floor Not that that matters much any more Rat-a-tat, tat, clatter with your hands on the floor Not that that matters much any more Pick the burnt things out from your bedroom door Pack it in a van, living life on tour Long nights day-to-day, room-to-room, door-to-door
3.
Being with you, being with you Being with you, being with you Sterilise, I don’t want any kids harshing this mellow Stay alive, just until I get off now Immobilise, or you’ll turn me into Othello Catastrophize, about leaving the sanctuary Being with you (sterilise, I don’t want any kids harshing this mellow) Being with you (stay alive, just until I get off now) Being with you (immobilise, or you’ll turn me into Othell) Being with you (catastrophize, about leaving the sanctuary)
4.
And it’s dark outside
5.
You’re working on me, you’re working tonight I’ve got a few theories and I think that they’re right I know what to do, just tell me how to handle it The river’s dark, and the house is candlelit Chapel and church Think it’s getting worse Chapel and church Down where the floodlights search you know I’ll drop the merch Let it run out to the sea, the sea yeah Tour guides in your library One side of the binary Your books are wet, post-war pre-reckoning Sitting by the heater and we felt every second in Flickering lights as you deduct the price All the time in the world, and no advice Chapel and church Think it’s getting worse Chapel and church Down where the floodlights search you know I’ll drop the merch Let it run out to the sea, the sea yeah Tour guides in your library One side of the binary
6.
James: Everyone seems, so different now They don’t want you to come, say it’s time to settle down Seeing it all through, a journey to an end The ballroom becomes a few, and a garden to tend It’s hard to give a shit these days, maybe with a few kids That summer feeling eludes without another laid across your ribs Seems misguided, seems bound to fail Nobody hears what you’re saying amongst such windy sails Hopes up, hopes down Close up, we’ve closed down Hopes up, hopes down Close up, we’ve closed down Play the part, get a reason to leave Get a nice new car for a second hand seat You looked old, and you would talk like a seer You look old, especially the days when you’re here In a deep sleep, around blinking lights To a meet and greet I don’t enjoy despite People I love, real enough Eagle eyes club, a real bluff Hopes up, hopes down Close up, we’ve closed down Hopes up, hopes down Close up, we’ve closed down Camilla: Everyone is different now they don’t, want you to settle down and say It’s time to settle down, walk around in circles every day Everyone is different now they don’t, want you to settle down and say It’s time to settle down, walk around in circles every day Everyone is different now they don’t, want you to settle down and say It’s time to settle down, walk around in circles every day Everyone is different now they don’t, want you to settle down and say It’s time to settle down, walk around in circles every day
7.
James: Feel like a martyr, going until two in your chair Back pain like father Try to look lively, coffee I got more if you need Always got anxiety From the drone to the conference room I hear them talk about, anything except what they were doing From the drone to the conference room I hear you talk about, anything except what you were doing Right now Smoking outside Waving as they take out the bins Smells like formaldehyde Listen to him say Did you hear about that room off the side Inside it’s ixnay From the drone to the conference room I hear them talk about, anything except what they were doing From the drone to the conference room I hear you talk about, anything except what you were doing Right now From the drone to the conference room I hear them talk about, anything except what they were doing From the drone to the conference room I hear you talk about, anything except what you were doing Right now Leo: Don’t wanna be here any more than the cleaners It’s a steady bore, the contrived demeanours Eyes on the floor when the boss comes round Might be more to laugh about, later down James: Yes I’m on site, yes I’m on site, yes I’m on site Big merger Yes I’m on site, yes I’m on site, yes I’m on site Big merger Yes I’m on site, yes I’m on site, yes I’m on site Big merger Yes I’m on site, yes I’m on site, yes I’m on site Big merger
8.
Reason 04:09
Something to believe in I know you know the reason Lookin at you from the ground to the top Real silence when the band flop You’re like second to none You’re like second to one
9.
James: And I’m wondering bout you now And I’m wondering bout you now Until I’m wondering about who now Until I’m wondering about who now I wouldn’t rob you, with your savings on hand I’ll pick you out in a line up, pale or tanned I helped you pack your things, you were talking oh so grand I snuck you into the airport, don’t you know stowaways have to stand Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter Turn me to a go getter, to a go getter And I’m wondering bout you now And I’m wondering bout you now Until I’m wondering about who now Until I’m wondering about who now Rama: A shadow passed your neck As you turned your head And all I know is all I’ve seen And I want to see your hands again Want to know your words again But they come and go And I am not who I was a month Or so ago And shadows flicker by And I, am solitary Shadows flicker by And I, am solitary
10.
Overture 03:22

about

Still building tension.

credits

released September 19, 2022

This music was made on Wurundjeri & Boonwurrung land. We pay our respects to their elders past, present and emerging.

Music and lyrics by James Taplin
Recorded, produced and mixed by James Taplin
Mastered by Will Klep

Vocals and lyrics on tracks 6, 7 & 9 also by Camilla Sullivan, Leo Evershed & Rama Jordon
Backing vocals on track 6 by Leo Evershed
Drums on tracks 2, 8 & 9 performed by Oscar Linkson
Piano on track 7 performed and recorded by Leo Evershed
Sampled strings on track 4 originally performed by Kathy Nguyen, Irene Jong, Mo Nagayama and Xiao Xiao.

Synthesisers on tracks 5 & 8 recorded at MESS ltd., North Melbourne.

Cover painting by Jade Irvine

Special thanks to Perry Weinstock & Aaron Dobos for their production assistance and mix advice.

Special thanks also to Phoebe Flower, Cameron Bird, Dimi Stoforidis, Oscar Linkson, Nash Williams, Matt Goldsmith, Jaide Innes and everyone else who helped make this album slowly happen.

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The Public Sector Melbourne, Australia

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We're all about building tension.

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